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(Rapture is a Vatican/Jesuit Lie )
The "Resurrection" has been erroneously labeled The "Rapture". 
THERE IS NO RAPTURE

WHY THE TITLE RAPTURE BIBLE PROPHECY FORUM?
WE STARTED OUT BELIEVING IN A 7 YR PRE TRIBULATION RAPTURE
BUT FOUND OVER TIME AROUND 2006 THAT THE BIBLE DOES NOT SHARE A 
BIBLE VERSE WHATSOEVER INDICATING A 7 YR PRE TRIBULATION RAPTURE

BIBLE VERSES EVIDENCE:

While Yahusha/JESUS was alive, He prayed to His Father: "I pray not that thou shouldest take them out of the world, but that thou shouldest keep them from the evil.  John 17:15 (KJV)

Yahusha/JESUS gave signs of what must happen before His Return:  "Immediately after the tribulation of those days shall the sun be darkened, and the moon shall not give her light, and the stars shall fall from heaven, and the powers of the heavens shall be shaken:"  Matt. 24:29 (KJV)


WE DAILY STUDY TO SHEW OURSELVES APPROVED 
WE ARE NOT AFRAID TO SAY WE ARE LEARNING DAILY AND 
ARE ABLE TO ADMIT WE MAKE MISTAKES BUT STUDY TO 
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LET YHVH/YAHUSHA BE TRUE 
AND EVERY MAN A LIAR.

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Yahusha/JESUS IS GOD/YHVH
Yahusha/JESUS is YHVH/GOD/YHWH-Yahusha/Son:
​​​​​​​Yahusha/JESUS is The WORD

Yahusha is I Am That I Am  (Exodus 3:14)

Yahusha is YHWH  come in the flesh, He put aside His Diety to become a human, born of  a Virgin.

Yahusha is the Word, As The Most High, He spoke all things seen and unseen into existence

When YHWH created Light, He was revealed to the angels. 

John 14:26
"the breath of life"

But the Comforter, which is "the breath of life", whom the Father will send shall teach you all things.

God is not His  Name but a term.  The Holy Spirit is not a person but the very Breath of the Father.

There is no Trinity.  The Father, YHVH  and Yahusha are One  (John 10:30)

THE BOOK OF ENOCH

NOW IS THE TIME!

 FOR A REMOTE GENERATION THE LAST GENERATION FOR THE ELECT!

REFERENCES IN THE BOOK OF ENOCH TO THE BIBLE

https://bookofenochreferences.wordpress.com/category/the-book-of-enoch-with-biblical-references-chapters-1-to-9/chapter-1/

Book of Enoch: http://tinyurl.com/BkOfEnoch

The book of Second Peter and Jude Authenticate the book of Enoch and Vice Versa

Yahusha/JESUS QUOTED FROM THE SEPTUAGINT:

THE APOSTLES QUOTED FROM THE SEPTUAGINT

JEWS WERE CONVERTING TO CHRISTIANITY

FREE DOWNLOADS

All Of The Apocryphal Books Of

The King James 1611 Version

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Behind the Scenes / Final Conflict Update


Behind the Scenes / Final Conflict Update

FOR FAIR USE AND EDUCATIONAL PURPOSES
I am a follower of Jesus Christ / Yahusha ONLY
I do not belong to any denomination
=============================================

Youtube video link
https://www.youtube.com/watch?v=q8E-R5kfh28

Disclaimer: Rapture Bible Prophecy Forum, ( http://www.rapturebibleprophecyforum.com ) does not necessarily endorse or agree with every opinion expressed in every article posted on this site.

Re: Behind the Scenes / Final Conflict Update

Excellent Teaching by the master on these subjects of who really rules the world and their agenda....none other than Walter Veith, who himself was once a Catholic. The difference between Walter and most is that he had a heart for the truth and used his intelligence in learning the truth and exposing the players.

Within the first 30 minutes he will present to you evidence that shows there is nothing new under the sun.

1. The three leaders of the Allies, Winston Churchill, Roosevelt and Stalin were all Occultists of the highest order.
2. The opposite of WWII was, of course, Hitler, who brags that he adopted the teachings of the Jesuits to his own Nazism.

Please watch, at least the first 30 minutes. That is not asking for too much to help us erase our false beliefs that America will be great again. In fact, America has to be burned by a war from the many oppositions in order to rise once more to be the world headquarters of the New World Order. Hard to believe, eh? Well, do yourself a favor and listen.

By the way, there is a funny little hat that is worn by many within the Occult Circles called the Jacobite . It looks like a stocking cap with the little ball at the end. They believe that within that ball is held the deepest of Occult knowledge.

So, why do you suppose the leader of the largest denomination in the world is seen wearing that hat which honors Meterone whose birthday is in December? In fact, it is the birthday of their Sun god born on Dec. 21st. It is the beginning of the Winter Solstice. Through deception and lack of Biblical reading, the Catholic Church has taught it's followers and her daughters, the Protestants that this is the time when Jesus Christ/YYahusha was born in Bethlehem., thus the date was set for this to be the countdown to Christmas Eve, on the 24th, 3 1/2 days later that leads to Christmas Day.


There are many variances to this Jacobite hat but here is photo of the past pope wearing his Christmas one.


HTTPS://www.pope2you.net/wp-content/uploads/2019/06/Camauro-1024x660.jpg

Notice how he looks like Santa Clause who knows everything, whether you have been naughty or nice? Isn't that what the New World Order, with it's technology, is striving to know about all of us in order to control us?

Oh, there is so much false teaching among those that call themselves Christians that I can only urge you, if you have a heart for the truth as did Walter Veigh, to listen and learn.

We are right at their time in history when they willl celebrate the birth of their Anti-christ. You see, just like the Father presented himself to the world through the son to save mankind, Lucifer will also present himself through one of his sons and take on the physical appearance of a man and will demand worship or else....

Gerlinda

.Disclaimer: Rapture Bible Prophecy Forum, ( http://www.rapturebibleprophecyforum.com ) does not necessarily endorse or agree with every opinion expressed in every article posted on this site. We, merely, pass along news as being presented in the many sources and encourage you, the viewer to do your own diligence. Let the Word of God be your guide in all matters.

Re: Behind the Scenes / Final Conflict Update


https://en.wikipedia.org/wiki/Phrygian_cap
Phrygian cap
From Wikipedia, the free encyclopedia
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Not to be confused with Pileus (hat).
This article is about the Phrygian headgear. For the medical term, see Phrygian cap (anatomy).

Head of Attis wearing a Phrygian cap (Parian marble, 2nd century AD).
The Phrygian cap (/ˈfrɪdʒ(iː)ən/) or liberty cap is a soft conical cap with the apex bent over, associated in antiquity with several peoples in Eastern Europe and Anatolia, including Phrygia, Dacia, and the Balkans. In first the American Revolution and then French Revolution it came to signify freedom and the pursuit of liberty, although Phrygian caps did not originally function as liberty caps. The original cap of liberty was the Roman pileus, the felt cap of manumitted (emancipated) slaves of ancient Rome, which was an attribute of Libertas, the Roman goddess of liberty. In the 16th century, the Roman iconography of liberty was revived in emblem books and numismatic handbooks where the figure of Libertas is usually depicted with a pileus. The most extensive use of a headgear as a symbol of freedom in the first two centuries after the revival of the Roman iconography was made in the Netherlands, where the cap of liberty was adopted in the form of a contemporary hat. In the 18th century, the traditional liberty cap was widely used in English prints and from 1789 also in French prints; by the early 1790s, it was regularly used in the Phrygian form.

It is used in the coat of arms of certain republics or of republican state institutions in the place where otherwise a crown would be used (in the heraldry of monarchies). It thus came to be identified as a symbol of republican government. A number of national personifications, in particular France's Marianne, are commonly depicted wearing the Phrygian cap.

In antiquity
In the early Hellenistic world
By the 4th century BC (early Hellenistic period) the Phrygian cap was associated with Phrygian Attis, the consort of Cybele, the cult of which had by then become graecified. At around the same time, the cap appears in depictions of the legendary king Midas and other Phrygians in Greek vase-paintings and sculpture. Such images predate the earliest surviving literary references to the cap.

By extension, the Phrygian cap also came to be applied to several other non-Greek-speaking peoples ("barbarians" in the classical sense). Most notable of these extended senses of "Phrygian" were the Trojans and other western Anatolian peoples, who in Greek perception were synonymous with the Phrygians, and whose heroes Paris, Aeneas, and Ganymede were all regularly depicted with a Phrygian cap. Other Greek earthenware of antiquity also depict Amazons and so-called "Scythian" archers with Phrygian caps. Although these are military depictions, the headgear is distinguished from "Phrygian helmets" by long ear flaps, and the figures are also identified as "barbarians" by their trousers. The headgear also appears in 2nd-century BC Boeotian Tanagra figurines of an effeminate Eros, and in various 1st-century BC statuary of the Commagene, in eastern Anatolia. Greek representations of Thracians also regularly appear with Phrygian caps, most notably Bendis, the Thracian goddess of the moon and the hunt, and Orpheus, a legendary Thracian poet and musician.

While the Phrygian cap was of wool or soft leather, in pre-Hellenistic times the Greeks had already developed a military helmet that had a similarly characteristic flipped-over tip. These so-called "Phrygian helmets" (named in modern times after the cap) were usually of bronze and in prominent use in Thrace, Dacia, Magna Graecia and the rest of the Hellenistic world from the 5th century BC up to Roman times. Due to their superficial similarity, the cap and helmet are often difficult to distinguish in Greek art (especially in black-figure or red-figure earthenware) unless the headgear is identified as a soft flexible cap by long earflaps or a long neck flap. Also confusingly similar are the depictions of the helmets used by cavalry and light infantry (cf. Peltasts of Thrace and Paeonia), whose headgear – aside from the traditional alopekis caps of fox skin – also included stiff leather helmets in imitation of the bronze ones.

In the Roman world
The Greek concept passed to the Romans in its extended sense, and thus encompassed not only to Phrygians or Trojans (which the Romans also generally associated with the term "Phrygian"), but also the other near-neighbours of the Greeks. On Trajan's Column, which commemorated Trajan's epic wars with the Dacians (101–102 and 105–106 AD), the Phrygian cap adorns the heads of Trajan's Dacian prisoners. The prisoner, accompanying Trajan in the monumental, 3 m tall statue of Trajan in the ancient city of Laodicea, is wearing a Phrygian Cap. Parthians appear with Phrygian caps in the 2nd-century Arch of Septimius Severus, which commemorates Roman victories over the Parthian Empire. Likewise with Phrygians caps, but for Gauls, appear in 2nd-century friezes built into the 4th century Arch of Constantine.

The Phrygian cap reappears in figures related to the first to fourth century religion Mithraism. This astrology-centric Roman mystery cult (cultus) projected itself with pseudo-Oriental trappings (known as perserie in scholarship) in order to distinguish itself from both traditional Roman religion and from the other mystery cults. In the artwork of the cult (e.g. in the so-called "tauroctony" cult images), the figures of the god Mithras as well as those of his helpers Cautes and Cautopates are routinely depicted with a Phrygian cap. The function of the Phrygian cap in the cult are unknown, but it is conventionally identified as an accessory of its perserie.

Early Christian art (and continuing well into the Middle Ages) build on the same Greco-Roman perceptions of (Pseudo-)Zoroaster and his "Magi" as experts in the arts of astrology and magic, and routinely depict the "three wise men" (that follow the Star of Bethlehem) with Phrygian caps.
As a symbol of liberty

The Dutch Maiden always carries her cap of liberty on a pole, and it is not of the Phrygian form. 1660
From Phrygian to liberty cap
In late Republican Rome, a soft felt cap called the pileus served as a symbol of freemen (i.e. non-slaves), and was symbolically given to slaves upon manumission, thereby granting them not only their personal liberty, but also libertas— freedom as citizens, with the right to vote (if male). Following the assassination of Julius Caesar in 44 BC, Brutus and his co-conspirators instrumentalized this symbolism of the pileus to signify the end of Caesar's dictatorship and a return to the (Roman) republican system.

These Roman associations of the pileus with liberty and republicanism were carried forward to the 18th-century, when the pileus was confused with the Phrygian cap, with the Phrygian cap then becoming a symbol of those values.

France's bonnet rouge
Main article: Symbolism in the French Revolution § Liberty cap

French revolutionaries wearing bonnets rouges and tricolor cockades.

In this 1793 British cartoon by James Gillray, who was deeply hostile to the French Revolution, a Phrygian cap substitutes for Scylla atop the dangerous "Rock of Democracy", as Britannia's boat (Constitution) navigates between Scylla's rock and Charybdis, the "Whirlpool of Arbitrary-Power", pursued by Scylla's "dogs": Sheridan, Fox, and Priestley, depicted as sharks.
In revolutionary France
In 1675, the anti-tax and anti-nobility Stamp-Paper revolt erupted in Brittany and north-western France, where it became known as the bonnets rouges uprising after the blue or red caps worn by the insurgents. Although the insurgents are not known to have preferred any particular style of cap, the name and color stuck as a symbol of revolt against the nobility and establishment. Robespierre would later object to the color, but was ignored.

The use of a Phrygian-style cap as a symbol of revolutionary France is first documented in May 1790, at a festival in Troyes adorning a statue representing the nation, and at Lyon, on a lance carried by the goddess Libertas. To this day the national allegory of France, Marianne, is shown wearing a red Phrygian cap.

By wearing the bonnet rouge and sans-culottes ("without silk breeches"), the Parisian working class made their revolutionary ardor and plebeian solidarity immediately recognizable. By mid-1791, these mocking fashion statements included the bonnet rouge as Parisian hairstyle, proclaimed by the Marquis de Villette (12 July 1791) as "the civic crown of the free man and French regeneration." On 15 July 1792, seeking to suppress the frivolity, François Christophe Kellermann, 1st Duc de Valmy, published an essay in which the Duke sought to establish the bonnet rouge as a sacred symbol that could only be worn by those with merit. The symbolic hairstyle became a rallying point and a way to mock the elaborate wigs of the aristocrats and the red caps of the bishops. On 6 November 1793, the Paris city council declared it the official hairstyle of all its members.

The bonnet rouge on a spear was proposed as a component of the national seal on 22 September 1792 during the third session of the National Convention. Following a suggestion by Gaan Coulon, the Convention decreed that convicts would not be permitted to wear the red cap, as it was consecrated as the badge of citizenship and freedom. In 1792, when Louis XVI was induced to sign a constitution, popular prints of the king were doctored to show him wearing the bonnet rouge.[10] The bust of Voltaire was crowned with the red bonnet of liberty after a performance of his Brutus at the Comédie-Française in March 1792.

During the period of the Reign of Terror (September 1793 – July 1794), the cap was adopted defensively even by those who might be denounced as moderates or aristocrats and were especially keen to advertise their adherence to the new regime. The caps were often knitted by women known as tricoteuses, who sat beside the guillotine during public executions in Paris and supposedly continued knitting in between executions.[11][failed verification] The spire of Strasbourg Cathedral was crowned with a bonnet rouge in order to prevent it from being torn down in 1794.

During the Restoration
In 1814, the Acte de déchéance de l'Empereur decision formally deposed the Bonapartes and restored the Bourbon regime, who in turn proscribed the bonnet rouge, La Marseillaise and Bastille Day celebrations. The symbols reappeared briefly in March–July 1815 during "Napoleon's Hundred Days", but were immediately suppressed again following the second restoration of Louis XVIII on 8 July 1815.

The symbols resurfaced again during the July Revolution of 1830, after which they were reinstated by the liberal July Monarchy of Louis Philippe I, and the revolutionary symbols—anthem, holiday, and bonnet rouge—became "constituent parts of a national heritage consecrated by the state and embraced by the public."[12]

In modern France
The republican associations with the bonnet rouge were adopted as the name and emblem of a French satirical republican and anarchist periodical published between 1913 and 1922 by Miguel Almereyda that targeted the Action française, a royalist, counter-revolutionary movement on the extreme right.

The anti-tax associations with the bonnet rouge were revived in October 2013, when a French tax-protest movement called the Bonnets Rouges used the red revolution-era Phrygian cap as a protest symbol. By means of large demonstrations and direct action, which included the destruction of many highway tax portals, the movement successfully forced the French government to rescind the tax.

In the United States

A Phrygian cap on the Seal of the U.S. Senate

The 1783 Libertas Americana medal, initiated and designed by Benjamin Franklin, honors the American Revolution and depicts the goddess of Liberty carrying a Phrygian cap
In the 18th century, the cap was often used in English political prints as an attribute of Liberty. In the years just prior to the American Revolutionary War of independence from Great Britain, Americans copied or emulated some of those prints in an attempt to visually defend their inherited liberties as Englishmen.[13] Later, the symbol of republicanism and anti-monarchial sentiment appeared in the United States as headgear of Columbia,[14] who in turn was visualized as a goddess-like female national personification of the United States and of Liberty herself. The cap reappears in association with Columbia in the early years of the republic, for example, on the obverse of the 1785 Immune Columbia pattern coin, which shows the goddess with a helmet seated on a globe holding in a right hand a furled U.S. flag topped by the liberty cap.[14]

Starting in 1793, U.S. coinage frequently showed Columbia/Liberty wearing the cap. The anti-federalist movement likewise instrumentalized the figure, as in a cartoon from 1796 in which Columbia is overwhelmed by a huge American eagle holding a Liberty Pole under its wings.[14] The cap's last appearance on circulating coinage was the Walking Liberty Half Dollar, which was minted through 1947 (and reused on the current bullion American Silver Eagle).

The U.S. Army has, since 1778, utilized a "War Office Seal" in which the motto "This We'll Defend" is displayed directly over a Phrygian cap on an upturned sword. It also appears on the state flags of West Virginia and Idaho[15] (as part of their official seals), New Jersey, and New York, as well as the official seal of the United States Senate, the state of Iowa, the state of North Carolina (as well as the arms of its Senate,[16]) and on the reverse side of the Seal of Virginia.

In 1854, when sculptor Thomas Crawford was preparing models for sculpture for the United States Capitol, Secretary of War Jefferson Davis insisted that a Phrygian cap not be included on a Statue of Freedom, on the grounds that "American liberty is original and not the liberty of the freed slave". The cap was not included in the final bronze version that is now in the building.[17]

In Latin America

The coat of arms of Haiti includes a Phrygian cap on top of a palm tree, commemorating that country's foundation in a slave revolt.

Coat of arms of Argentina includes a Phrygian cap under a stick being held by two arms, as a symbol of national unity and freedom.

Coat of arms of Colombia includes a Phrygian cap as a symbol of liberty and freedom.
Many of the anti-colonial revolutions in Latin America were heavily inspired by the imagery and slogans of the American and French Revolutions. As a result, the cap has appeared on the coats of arms of many Latin American nations. The coat of arms of Haiti includes a Phrygian cap to commemorate that country's foundation by rebellious slaves.

The cap had also been displayed on certain Mexican coins (most notably the old 8-reales coin) through the late 19th century into the mid-20th century. Today, it is featured on the coats of arms or national flags of Argentina, Bolivia, Colombia, Cuba, El Salvador, Haiti, Nicaragua and Paraguay.

The Phrygian cap in Latin American coats of arms

Coat of arms of Argentina
Coat of arms of Bolivia
Coat of arms of Colombia
Coat of arms of Cuba
Coat of arms of El Salvador
Coat of arms of Haiti
Coat of arms of Nicaragua
Reverse side of the flag of Paraguay on the Seal of the Supreme Court
https://en.wikipedia.org/wiki/Phrygian_cap

Re: Behind the Scenes / Final Conflict Update




The Holy Roman Empire Rules Today Pt 1,2,3 Full Length
THE UNITED STATES OF AMERICA INCORPORATED
A private foreign owned off-shore corporation copyrighted, trademarked and registered in the state of Delaware for tax purposes circa 1783, and again in 1925 prior to the manipulated and illegally fomented covert bankruptcy of our once Constitutional Republic, in 1933-1938. There is no actual Constitutional governing body as of 1933. Only a foreign owned private corporation controlled by the IMF, and the Federal Reserve which are both corporations owned by international banksters.

BLM, TSA, DHS, IRS, NSA, FEMA, CIA, FBI, BATFE, DOD, DOJ, Park Service, all state, and city police are sub-corporations to USA Inc., and do not represent WE The People only the criminal international banksters that own them.

FOR FAIR USE AND EDUCATIONAL PURPOSES
I am a follower of Jesus Christ / Yahusha ONLY
I do not belong to any denomination
=============================================

Youtube video link
https://www.youtube.com/watch?v=JctA5s6e1f8

Disclaimer: Rapture Bible Prophecy Forum, ( http://www.rapturebibleprophecyforum.com ) does not necessarily endorse or agree with every opinion expressed in every article posted on this site.

Re: Behind the Scenes / Final Conflict Update


These topics have been known on this site easily for over 7 or 8 years. Steven, by putting them up now, is showing how much has been done in secret but now in the End of Days, Almighty God is allowing these secrets to be understood.

By reading and understand what/who is behind these symbols, we should be urged to stop and consider our allegiance. We need to ask ourselves if ignorance will be accepted when it comes time to make decisions about our own choices.

And especially our need to accept with all our heart and mind the Gift of Salvation that Christ/Yahusha purchased for us when he shed His Blood upon that Roman Tree of Death.

Please understand that Christ did this willingly to save us from the trappings of Lucifer and his many servants/gods.

To pray for a country that has, right from it's inception, served false gods is almost like throwing into the face of Our Savior that we would rather believe the political lies instead of historical and Biblical Truths of the Bible.

The First President of these United States was a High Level Free-Mason. He knew of Jesus Christ but he did not acknowledge Him as his Savior. And so, it seems, have been almost every president that followed.

Thanks Steven for reposting these facts and hopefully, it will be of benefit to many.

Walter Veigh said that every war that was ever fought was not over politics but over religion.

Gerlinda